Here we are again on Figure Drawing Friday. This is a 5 minute short pose drawing. I’m pleased with the overall gesture and the lighting, particularly the shadow of the staff (broomstick) across the model’s shoulders. I’m less than pleased with the claw that is her left hand. When I draw short poses like this, I usually focus on the large parts of the body and generally just use a squiggle or two to imply the hands or fine details.
The finer details like hands and facial features take time to get right, A quick sketch representation of details like this works well in a short pose. However, once the drawing is done, or the time is up, you only have a squiggle where a key part of the drawing should be. Hands are as important in communicating as the face is.
During short poses, sometimes called gestures, it’s often taught to capture the motion or the essence of a figure. However, when I took the Henry Yan workshop I mentioned in the previous post, he instructed us to just focus on a part of the figure we found challenging. The rib cage illustrations you see pictured here are both five minute poses. The hands are between seven and ten minute drawings.
I found it very beneficial to just focus on an area of the figure or pose that challenged me. I still do this exercises when I have the opportunity to draw short poses. When I say short poses, I’m generally referring to poses between five and fifteen minutes in length.
When I refer to a gesture pose, it’s typically a one minute pose, and occasionally a two-minute pose.
In a future Figure Drawing Friday, I’ll post a page of one minute gestures.